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The Wilkie Collins Journal

Past articles

‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s ‘Memoirs of the Life of William Collins’ and ‘Blind Love’

Wilkie Collins’s Legacies: ‘The Moonstone’ in Boris Akunin’s ‘Murder on the Leviathan’ and ‘Children’s Book’

Opening up the Secret Theatre of Home: Wilkie Collins’s ‘The Woman in White’ on the Victorian Stage

Ugo Foscolo’s ‘Last Letters of Jacopo Ortis’ and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence

The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins

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