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Volume 11 (2012)

Wilkie Collins Journal – Volume 11 (2012)

Editor’s Welcome

Articles

‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s ‘Memoirs of the Life of William Collins’ and ‘Blind Love’ by Ryan Barnett

Wilkie Collins’s Legacies: ‘The Moonstone’ in Boris Akunin’s ‘Murder on the Leviathan’ and ‘Children’s Book’ by Marcia Morris

Opening up the Secret Theatre of Home: Wilkie Collins’s ‘The Woman in White’ on the Victorian Stage by Valerie Pedlar

Ugo Foscolo’s ‘Last Letters of Jacopo Ortis’ and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence by Shifra Hochberg

The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins by Mariaconcetta Constantini

Reviews

A Companion to Sensation Fiction ed. by Pamela Gilbert. Review by Georgina O’Brien Hill

Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science by Srdjan Smajić. Review by Mackenzie Bartlett

Science, Sexuality and Sensation Novels: Pleasures of the Senses by Laurie Garrison. Review by Saverio Tomaiuolo


ISSN 2052-2991

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The Wilkie Collins Journal

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Past articles

  • ‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s ‘Memoirs of the Life of William Collins’ and ‘Blind Love’
  • Wilkie Collins’s Legacies: ‘The Moonstone’ in Boris Akunin’s ‘Murder on the Leviathan’ and ‘Children’s Book’
  • Opening up the Secret Theatre of Home: Wilkie Collins’s ‘The Woman in White’ on the Victorian Stage
  • Ugo Foscolo’s ‘Last Letters of Jacopo Ortis’ and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence
  • The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins
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