| Title | Author | Category | Year | Vol. |
| Volume 11, 2012 | 2012 | 11 | ||
| Editor’s Welcome | Mangham, Andrew Beller, Anne-Marie Barnett, Ryan |
Editorial | 2012 | 11 |
| ‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s Memoirs of the Life of William Collins and Blind Love | Barnett, Ryan | Article | 2012 | 11 |
| Wilkie Collins’s Legacies: The Moonstone in Boris Akunin’s Murder on the Leviathan and Children’s Book | Morris, Marcia | Article | 2012 | 11 |
| Opening up the Secret Theatre of Home: Wilkie Collins’s The Woman in White on the Victorian Stage | Pedlar, Valerie | Article | 2012 | 11 |
| Ugo Foscolo’s Last Letters of Jacopo Ortis and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence | Hochber, Schifra | Article | 2012 | 11 |
| The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins | Constantini, Mariaconcetta | Article | 2012 | 11 |
| A Companion to Sensation Fiction ed. by Pamela Gilbert | O’Brien Hill, Georgina | Review | 2012 | 11 |
| Ghost-Seers, Detectives, and Spiritualists: Theories of Vision in Victorian Literature and Science by Srdjan Smajić. | Bartlett, Mackenzie | Review | 2012 | 11 |
| Science, Sexuality and Sensation Novels: Pleasures of the Senses by Laurie Garrison | Tomaiuolo, Saverio | Review | 2012 | 11 |
| Volume 12, 2013 | 2015 | 12 | ||
| “Oh Doctor, Doctor, don’t expect too much of me! I’m only a woman, after all!”: The (Dis) Embodiment of Lydia Gwilt in Collins’s Miss Gwilt | Buckmaster, Jonathan | Article | 2013 | 12 |
| Wilkie Collins’s Monomaniacs in Basil , No Name , and Man and Wife | Ifill, Helena | Article | 2013 | 12 |
| The New Magdalen and the Rhetoric of Prostitution: Restoring Mercy Merrick’s Agency | Lyda, Laurie | Article | 2013 | 12 |
| Redefining Bodies and Boundaries in Wilkie Collins’s Armadale and The Law and the Lady | Williams, Hilary | Article | 2013 | 12 |
| John Kittos The Lost Senses: Deafness and Blindness and Wilkie Collins Hide and Seek and Poor Miss Finch | Newman, Hilary | Article | 2013 | 12 |
| Authenticism and Post-Authenticism: Wilkie Collins’s Armadale and Michael Cox’s The Meaning of Night: A Confession | Banerjee, Jacqueline | Article | 2013 | 12 |
| “Wilkie Collins: New Directions and Readings” (A Victorian Popular Fiction Association Study Day), 9 November 2013. Keynote Lecture by Professor William Baker | Baker, William | Article | 2013 | 12 |
| Wilkie Collins: Scholarship and Criticism: Past, Present, and Future Bibliography | Baker, William | Article | 2013 | 12 |
| The Lighthouse by Wilkie Collins, with an introduction by Andrew Gasson and Caroline Radcliffe | Pedlar, Valerie | Review | 2013 | 12 |
| New Perspectives on Mary Elizabeth Braddon edited by Jessica Cox | Adams, Elizabeth | Review | 2013 | 12 |
| Women’s Authorship and Editorship in Victorian Culture: Sensational Strategies by Beth Palmer | Tomaiuolo, Saverio | Review | 2013 | 12 |
| Women and Literary Celebrity in the Nineteenth Century: The Transatlantic Production of Fame and Gender by Brenda R. Weber | VanLaningham, Erin | Review | 2013 | 12 |
| Bodies and Things in Nineteenth-Century Literature and Culture edited by Katharina Boehm | Sparks, Tabitha | Review | 2013 | 12 |
| Queer Others in Victorian Gothic: Transgressing Monstrosity by Ardel Haefele-Thomas | Hultgren, Neil | Review | 2013 | 12 |
| Victorian Unfinished Novels: The Imperfect Page by Saverio Tomaiuolo | Law, Graham | Review | 2013 | 12 |
| Writing Death and Absence in the Victorian Novel: Engraved Narratives by Jolene Zigarovich | Talairach-Vielmas, Laurence | Review | 2013 | 12 |
| Volume 13, 2015 | 2015 | 13 | ||
| Editor’s Note | Parsons, Joanna | Editorial | 2015 | 13 |
| Paternal Trauma: Economic Emasculation and Sensationalised Stepfathers in Ellen Wood’s George Canterbury’s Will and Pen Oliver’s All But: A Chronicle of Laxenford Life | Ella Butcher, Emma | Article | 2015 | 13 |
| ‘he’d let me turn the house into a theatre’: rewriting the domestic in the sensational world of East Lynne | Oulton, Carolyn | Article | 2015 | 13 |
| In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psychology by Jenny Bourne Taylor | Mangham, Andrew | Review | 2015 | 13 |
| Reading Victorian Deafness: Signs and Sounds in Victorian Literature and Culture by Jennifer Esmail | Gore, Clare Walker | Review | 2015 | 13 |
| The Female Servant and Sensation Fiction: ‘Kitchen Literature’ by Elizabeth Steere | Ducusin, Marc Milton | Review | 2015 | 13 |
| Dickens’ Novels as Poetry: Allegory and the Literature of the City by Jeremy Tambling | Burke, Verity | Review | 2015 | 13 |
| Postal Plots in British Fiction, 1840-1898: Readdressing Correspondence Culture by Laura Rotunno | Bredesen, Dagni | Review | 2015 | 13 |
| Volume 14, 2017 | Article | 2017 | 14 | |
| The Nature of the Law: Struggles between Statute and Morality in Wilkie Collins’s The Woman in White and No Name | Boucher, Abigail K. | Article | 2017 | 14 |
| A Lost Biographical Sketch | Bell, Emily | Article | 2017 | 14 |
| A Lost Biographical Sketch Cornwall and Kamtschatka: Domesticating Cornwall through Pedestrian Travel in Wilkie Collins’s Rambles Beyond Railways (1851) |
Elce, Erika Behrisch | Article | 2017 | 14 |
| Gravy Soup: humouring conformity and counterfeiting in A Rogue’s Life | Lloyd, Rebecca | Article | 2017 | 14 |
| ‘In the Mystery and Terror of a Dream’: Sensationalism, Consistency, and Mental Science in Wilkie Collins’s Armadale | Matlock, Daniel | Article | 2017 | 14 |
| ‘You must give up’: Gothic Detection and the Rhetoric of Protest in The Law and the Lady | Strovas, Karen Beth | Review | 2017 | 14 |
| Secrecy and Disclosure in Victorian Fiction by Leila Silvana May | Ifill, Helena | Review | 2017 | 14 |
| Sensation and Professionalism in the Victorian Novel by Mariaconcetta Costantini | Olivieri, Marco | Review | 2017 | 14 |
| Dirt in Victorian Literature and Culture: Writing Materiality by Sabine Schulting | Platjee, Marjolein | Review | 2017 | 14 |
| Jezebel’s Daughter by Wilkie Collins (edited by Jason David Hall) | Podziewska, Julia | Review | 2017 | 14 |
| Volume 15, 2018 | 2018 | 15 | ||
| Never mind the dog’: Experimental Subjects in H. G. Wells’ The Island of Doctor Moreau and Wilkie Collins’ Heart and Science | Elce, Erika Behrisch | Article | 2018 | 15 |
| Simple Sally: Arrested Development and Child Prostitution in Wilkie Collins’s The Fallen Leaves | Godfrey, Esther | Article | 2018 | 15 |
| The Female Amateur Scientist and the Sense for Conduct in Heart and Science : Blind to Matter and Morals | Mollmann, Steven | Article | 2018 | 15 |
| Isabel’s Blue Spectacles: The Optics of Affect in East Lynne | Nash, Megan | Article | 2018 | 15 |
| The Heart of Lydia Gwilt: Emotion, Characterisation, and the Science of Acting | Quirk, Catherine | Article | 2018 | 15 |
| Sensational Umwelten: The Woman in White and Semiotics | Scupham, Hannah | Article | 2018 | 15 |
| Between Siblings: Performing the Brother in Wilkie Collins’ The Woman in White and No Name | Leonardo Silva, Beth | Article | 2018 | 15 |
| Transing Wilkie Collins | Zigarovich, Jolene | Article | 2018 | 15 |
| Heather Hind reviewing Romance’s Rival: Familiar Marriage in Victorian Fiction (2016) | Schaffer, Talia | Review | 2018 | 15 |
| Albert Sears reviewing The Food Plot in the Nineteenth-Century British Novel (2016) | Lee, Michael Parrish | Review | 2018 | 15 |
| Lewis Roberts reviewing Dickens’s Forensic Realism: Truth, Bodies, Evidence (2017) | Mangham, Andrew | Review | 2018 | 15 |
| Laura Eastlake reviewing Military Men of Feeling: Emotion, Touch, and Masculinity in the Crimean War (2016) |
Furneaux, Holly | Review | 2018 | 15 |
| Emma Swain reviewing Victorian Dogs, Victorian Men: Affect and Animals in Nineteenth-Century Literature and Culture (2017) | Chez, Keridiana W. | Review | 2018 | 15 |
| Peter Templeton reviewing Novel Politics: Democratic Imaginations in Nineteenth-Century Fiction (2017) | Armstrong, Isobel | Review | 2018 | 15 |
| Volume 16, 2019 | 2019 | 16 | ||
| Introduction: Victorian Popular Journalism | Hatter, Janine Ifill, Helena |
Editorial | 2019 | 16 |
| ‘To get to the very bottom of the social fabric’: Mid-Victorian Journalism and the Police Officer, c. 1856-1877 | Saunders, Samuel | Article | 2019 | 16 |
| Murder for a Penny: Jack the Ripper and the Structural Impact of Sensational Reporting | Mishou, A. Luxx | Article | 2019 | 16 |
| Professional Identity and Social Capital: the Personal Networks of Victorian Popular Journalists | Mishou, A. Luxx | Article | 2019 | 16 |
| Temple Bar ’s New Portrait of Femininity: Active Domesticity in Mary Braddon’s Aurora Floyd | Newman, Kaari | Article | 2019 | 16 |
| The Woman in White ’s Vestry Episodes: Reworking Journalism as Novelistic Discourse | Podziewska, Julia | Article | 2019 | 16 |
| Teaching Wilkie Collins and the Periodical Press | Stockstill, Ellen | Article | 2019 | 16 |
| Second Sight in the Nineteenth Century: Prophecy, Imagination and Nationhood (2017) by Elsa Richardson | Coons, Jayda | Review | 2019 | 16 |
| Spirit Matters: Occult Beliefs, Alternative Religions, and the Crisis of Faith in Victorian Britain (2018) by J. Jeffrey Franklin | Young, Lin | Review | 2019 | 16 |
| Fashion and Narrative in Victorian Popular Literature: Double Threads (2017) by Madeleine Seys | Hunt, Alyson | Review | 2019 | 16 |
| Volume 17, 2020 | 2020 | 17 | ||
| Introduction: “Hosts of odd, old-fashioned things” | Brindle, Kym | Editorial | 2020 | 17 |
| “Pondering on that little circle of plaited hair”: Hairwork, Materiality, and Identity in Wilkie Collins’s Hide and Seek (1854) | Hind, Heather | Article | 2020 | 17 |
| “As Plain as Print”: The Physiognomic Body, Clothing, and Written Texts in the Sensation Novel of the 1860s | Lennox, Sarah | Article | 2020 | 17 |
| ‘Stupid’ Clocks and Pocket-Watches: Defunct Time-Pieces in The Woman in White and Lady Audley’s Secret | Blake, Hannah-Freya | Article | 2020 | 17 |
| Styling the Self: Exploring Identity Formation Through Clothing in Charlotte Brontë’s Jane Eyre | Banner, Jessica | Article | 2020 | 17 |
| Paraphernalia! Victorian Objects (2018) by Helen Kingstone and Kate Lister | Boucher, Abigail | Review | 2020 | 17 |
| Victorian Liberalism and Material Culture: Synergies of Thought and Place (2018) by Kevin A Morrison | Cammack, Zan | Review | 2020 | 17 |
| Sensational Things: Souvenirs, Keepsakes, and Mementos in Wilkie Collins’s Fiction (2019) by Sabina Fazli | Allsop, Jessica | Review | 2020 | 17 |
| Tuberculosis and Disabled Identity in Nineteenth Century Literature: Invalid Lives (2018) by Alex Tankard | Logan, Heidi | Review | 2020 | 17 |
| What the Victorians Made of Romanticism: Material Artefacts, Cultural Practices, and Reception History (2017) by Tom Mole |
Reeve, Natalie | Review | 2020 | 17 |
| Creating Character: Theories of Nature and Nurture in Victorian Sensation Fiction (2018) by Helena Ifill | Everard, Jessica H. | Review | 2020 | 17 |
| Replication in the Long Nineteenth Century: Re-makings and Reproductions (2018), ed. by Julie Codell and Linda K. Hughes | Bell, Emily | Review | 2020 | 17 |
| Volume 18, 2021 | 2021 | 18 | ||
| Neo-Victorian Collins: Legacies and Afterlives | O’Callaghan, Claire Cox, Jessica |
Article | 2021 | 18 |
| Contributor Biographies – Neo-Victorian Collins Special Issue | Cox, Jessica | Article | 2021 | 18 |
| “The Story Seems of an Almost Unbelievable Romanticism”: Agatha Christie’s Parodic Emptying of Wilkie Collins’s Foreign Conspiracies by Indu Ohri | Ohri, Indu | Article | 2021 | 18 |
| The Moonstone in the Smoke: Reading for Erasure in Phillip Pullman’s Neo-Sensation Novel in the Age of #MeToo by Kimberly Cox | Cox, Kimberly | Article | 2021 | 18 |
| “I Have at Last Discovered Something”: Wilkie Collins and the Neo-Victorian Female Detective by Beth Sherman | Sherman, Beth | Article | 2021 | 18 |
| The Transformation of Victorian Monsters: Wilkie Collins’ Heart and Science and Gail Carriger’s Neo-Victorian ‘Parasol Protectorate’ Series by Melissa Purdue | Purdue, Melissa | Article | 2021 | 18 |
| “Et tu, Drood?”: Rivalry, Identity, and the Undercover Personas of Wilkie Collins and Charles Dickens in Dan Simmons’s Drood (2009) by Kathryne Ford | Ford, Kathryne | Article | 2021 | 18 |
| Companion to Victorian Popular Fiction (2018), ed. by Kevin A. Morrison | Morrison, Kevin A. | Review | 2021 | 18 |
| Deviance in Neo-Victorian Culture: Canon, Transgression, Innovation (2018) by Saverio Tomaiuolo | Tomaiuolo, Saverio | Review | 2021 | 18 |
| Neo-Victorianism and Sensation Fiction (2019) by Jessica Cox | Cox, Jessica | Review | 2021 | 18 |
| Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media (2020), ed. by Sarah E. Maier and Brenda Ayres | Maier, Sarah E. Ayres, Brenda |
Review | 2021 | 18 |
| Neo-Victorianism on Screen: Postfeminism and Contemporary Adaptations of Victorian Women (2018) by Antonija Primorac | Primorac, Antonija | Review | 2021 | 18 |
| Railway Reading and Late-Victorian Literary Series (2018) by Paul Raphael Rooney | Roony, Paul Raphael | Review | 2021 | 18 |
| Sensational Deviance: Disability in Nineteenth-Century Sensation Fiction (2019) by Heidi Logan | Logan, Heidi | Review | 2021 | 18 |
| The Vampire: A New History (2018) by Nick Groom | Groom, Nick | Review | 2021 | 18 |
| Victorian Environments: Acclimatizing to Change in British Domestic and Colonial Culture. (2018), ed. by Grace Moore and Michelle J. Smith | Moore, Grace Smith, Michelle J. |
Review | 2021 | 18 |
| Wilkie Collins’s Lo scrigno di Mr Wray, ovvero la maschera e il mistero. Una storia di Natale (2019), edited with an introduction by Mariaconcetta Costantini, translated by Emilia Carmen Cavaliere | Costantini, Mariaconcetta Cavaliere, Emilia Carmen |
Review | 2021 | 18 |
| Volume 19, 2022 | ||||
| Sensation Drama: An Anthology | Palmer, Beth Hofer-Robinson, Joanna |
Review | 2022 | 19 |
| The Commodification of Identity in Victorian Narrative | Grass, Seean | Review | 2022 | 19 |
| The Victorian Penny Blood and the 1832 Anatomy Act | Gasperini, Anna | Review | 2022 | 19 |
| Drugs and the Addiction Aesthetic in Nineteenth-Century Literature | Colman, Adam | Review | 2022 | 19 |
| The Moonstone | Screen 14 Pictures | Review | 2022 | 19 |
| Plotting Disability in the Ninteenth-Century Novel | Walker Gore, Clare | Review | 2022 | 19 |