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Introduction –Neo-Victorian Collins: Legacies and Afterlives

by Speak Digital | Apr 16, 2021 | Articles

Introduction –Neo-Victorian Collins: Legacies and Afterlives Claire O’Callaghan and Jessica Cox Loughborough University and Brunel University London This special issue of The Wilkie Collins Journal explores Collins’s influence on neo-Victorianism: his legacy and...

Materiality – Introduction: “Hosts of odd, old-fashioned things”

by Speak Digital | Sep 20, 2019 | Articles, Current

Wilkie Collins Journal Materiality Introduction: “Hosts of odd, old-fashioned things” Kym Brindle The Victorians are justifiably famous as collectors of objects. From ornaments, portraits, and furnishings to ferns, shells, minerals, butterflies, and more curious items...

Styling the Self: Exploring Identity Formation Through Clothing in Charlotte Brontë’s Jane Eyre

by Speak Digital | Sep 20, 2019 | Articles

Jessica Banner University of Ottawa  “Do I end and begin at the surface of my skin?” – Bill Brown (“The Bodies of Things” 225) From everyday objects to strange collections of antiques, amputated limbs, and rare gems, Victorian texts are populated by clamouring...

‘Stupid’ Clocks and Pocket-Watches: Defunct Time-Pieces in The Woman in White and Lady Audley’s Secret

by Speak Digital | Sep 20, 2019 | Articles

Hannah-Freya Blake Leeds Trinity University This paper analyses the use of traditional signifiers of time in Victorian sensation fiction, such as clocks and time-pieces, to assess the function they have in a world organised by new technology. As many critics have...

“As Plain as Print”: The Physiognomic Body, Clothing, and Written Texts in the Sensation Novel of the 1860s

by Speak Digital | Sep 20, 2019 | Articles

Sarah Lennox Eastern Connecticut State University In The Victorians and the Visual Imagination Kate Flint explores how Victorian science impacted popular beliefs “about how the invisible could be brought to view, and how knowledge and control over the natural world...

“Pondering on that little circle of plaited hair”: Hairwork, Materiality, and Identity in Wilkie Collins’s Hide and Seek (1854)

by Speak Digital | Sep 20, 2019 | Articles

Heather Hind University of Exeter and University of Bristol Hairwork—the art of making decorative objects, such as jewellery, from human hair—is a craft in which identity is articulated not only through the object’s design, making, exchange, and possession, but...
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