Articles Archive

Title Author Volume Year
Materiality – Introduction: “Hosts of odd, old-fashioned things”
Styling the Self: Exploring Identity Formation Through Clothing in Charlotte Brontë’s Jane Eyre Jessica Banner
‘Stupid’ Clocks and Pocket-Watches: Defunct Time-Pieces in The Woman in White and Lady Audley’s Secret Hannah-Freya Blake
“As Plain as Print”: The Physiognomic Body, Clothing, and Written Texts in the Sensation Novel of the 1860s Sarah Lennox
“Pondering on that little circle of plaited hair”: Hairwork, Materiality, and Identity in Wilkie Collins’s Hide and Seek (1854) Heather Hind
“Teaching Wilkie Collins and the Periodical Press”
“The Woman in White’s Vestry Episodes: Reworking Journalism as Novelistic Discourse”
“Temple Bar’s New Portrait of Femininity: Active Domesticity in Mary Braddon’s Aurora Floyd”
“Professional Identity and Social Capital: the Personal Networks of Victorian Popular Journalists”
“Murder for a Penny: Jack the Ripper and the Structural Impact of Sensational Reporting”
“‘To get to the very bottom of the social fabric’: Mid-Victorian Journalism and the Police Officer, c. 1856-1877”
Wilkie Collins Journal Special Issue: Introduction: Victorian Popular Journalism
Isabel’s Blue Spectacles: The Optics of Affect in East Lynne Megan Nash 2018
Sensational Umwelten: The Woman in White and Semiotics Hannah Scupham 2018
The Female Amateur Scientist and the Sense for Conduct in Heart and Science: Blind to Matter and Morals Steven Mollmann 2018
The Heart of Lydia Gwilt: Emotion, Characterisation, and the Science of Acting Catherine Quirk 2018
Simple Sally: Arrested Development and Child Prostitution in Wilkie Collins’s The Fallen Leaves Esther Godfrey 2018
‘Never mind the dog’: Experimental Subjects in H. G. Wells’ The Island of Doctor Moreau and Wilkie Collins’ Heart and Science Erika Behrisch Elce 2018
Between Siblings: Performing the Brother in Wilkie Collins’ The Woman in White and No Name Beth Leonardo Silva 2018
Transing Wilkie Collins
‘You must give up’: Gothic Detection and the Rhetoric of Protest and in The Law and the Lady Karen Beth Strovas 14 2017
‘In the Mystery and Terror of a Dream’: Sensationalism, Consistency, and Mental Science in Wilkie Collins’s Armadale Daniel Matlock 14 2017
Gravy Soup: humouring conformity and counterfeiting in A Rogue’s Life Rebecca Lloyd 14 2017
Cornwall and Kamtschatka: Domesticating Cornwall through Pedestrian Travel in Wilkie Collins’s Rambles Beyond Railways (1851) Erika Behrisch Elce 14 2017
A Lost Autobiographical Sketch Emily Bell 14 2017
The Nature of the Law: Struggles between Statute and Morality in Wilkie Collins’s The Woman in White and No Name Abigail K. Boucher 14 2017
‘he’d let me turn the house into a theatre’: rewriting the domestic in the sensational world of East Lynne Carolyn Oulton 13 2016
Paternal Trauma: Economic Emasculation and Sensationalised Stepfathers in Ellen Wood’s George Canterbury’s Will and Pen Oliver’s All But: A Chronicle of Laxenford Life Emma Butcher 13 2016
John Kitto’s The Lost Senses: Deafness and Blindness and Wilkie Collins’s Hide and Seek and Poor Miss Finch Hilary Newman 12 2013
Wilkie Collins: Scholarship and Criticism: Past, Present, and Future – Bibliography William Baker 12 2013
Wilkie Collins: Scholarship and Criticism: Past, Present, and Future William Baker 12 2013
Authenticism and Post-Authenticism: Wilkie Collins’s Armadale and Michael Cox’s The Meaning of Night: A Confession Jacqueline Banerjee 12 2013
Redefining Bodies and Boundaries in Wilkie Collins’s Armadale and the Law and the Lady Helen Williams 12 2013
The New Magdalen and the Rhetoric of Prostitution: Restoring Mercy Merrick’s Agency Laurie Lyda 12 2013
Wilkie Collins’s Monomaniacs in Basil, No Name and Man and Wife Helena Ifill 12 2013
“Oh Doctor, Doctor, don’t expect too much of me! I’m only a woman, after all!”: The (Dis) Embodiment of Lydia Gwilt in Collins’s Miss Gwilt Jonathan Buckmaster 12 2013
Wilkie Collins – An Interpretation of Christian Belief Carolyn Oulton 01 1998
Wilkie Collins and Edmund Yates: A Postscript P. D. Edwards 01 1998
Frances Dickinson: Friend of Wilkie Collins Catherine Peters 01 1998
Action and Attitude: Wilkie Collins and the Language of Melodramatic Gesture Simon Cooke 01 1998
Yes and No: Problems of Closure in Collins’s “I Say No” K. A.. Kale 01 1998
Reading Landscape: Wilkie Collins, the Pathetic Fallacy, and the Semiotics of the Victorian Wasteland Simon Cooke 02 1999
The Ruins of Copán in The Woman in White: Wilkie Collins and John Stephens’s Incidents of Travel in Central America, Chiapas, and Yucatan Richard Colllins 02 1999