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Volume 13 (2015)

Editor’s Note

Articles

Paternal Trauma: Economic Emasculation and Sensationalised Stepfathers in Ellen Wood’s George Canterbury’s Will and Pen Oliver’s All But: A Chronicle of Laxenford Life by Emma Butcher

‘he’d let me turn the house into a theatre’: rewriting the domestic in the sensational world of East Lynne by Carolyn Oulton

Reviews

In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psychology by Jenny Bourne Taylor (Review by Andrew Mangham)

Reading Victorian Deafness: Signs and Sounds in Victorian Literature and Culture by Jennifer Esmail (Review by Clare Walker Gore)

The Female Servant and Sensation Fiction: ‘Kitchen Literature’ by Elizabeth Steere (Review by Marc Milton Ducusin)

Dickens’ Novels as Poetry: Allegory and the Literature of the City by Jeremy Tambling (Review by Verity Burke)

Postal Plots in British Fiction, 1840-1898: Readdressing Correspondence Culture by Laura Rotunno (Review by Dagni Bredesen)


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Past articles

  • ‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s ‘Memoirs of the Life of William Collins’ and ‘Blind Love’
  • Wilkie Collins’s Legacies: ‘The Moonstone’ in Boris Akunin’s ‘Murder on the Leviathan’ and ‘Children’s Book’
  • Opening up the Secret Theatre of Home: Wilkie Collins’s ‘The Woman in White’ on the Victorian Stage
  • Ugo Foscolo’s ‘Last Letters of Jacopo Ortis’ and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence
  • The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins
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