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Volume 14 (2017)

Articles

The Nature of the Law: Struggles between Statute and Morality in Wilkie Collins’s The Woman in White and No Name by Abigail K. Boucher

A Lost Biographical Sketch by Emily Bell

Cornwall and Kamtschatka: Domesticating Cornwall through Pedestrian Travel in Wilkie Collins’s Rambles Beyond Railways (1851) by Erika Behrisch Elce

Gravy Soup: humouring conformity and counterfeiting in A Rogue’s Life by Rebecca Lloyd

‘In the Mystery and Terror of a Dream’: Sensationalism, Consistency, and Mental Science in Wilkie Collins’s Armadale by Daniel Matlock

‘You must give up’: Gothic Detection and the Rhetoric of Protest in The Law and the Lady by Karen Beth Strovas

Reviews

Secrecy and Disclosure in Victorian Fiction by Leila Silvana May – review by Helena Ifill

Sensation and Professionalism in the Victorian Novel by Mariaconcetta Costantini – review by Marco Olivieri

Dirt in Victorian Literature and Culture: Writing Materiality by Sabine Schülting – review by Marjolein Platjee

Jezebel’s Daughter by Wilkie Collins (edited by Jason David Hall) – review by Julia Podziewska


ISSN 2052-2991

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The Wilkie Collins Journal

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Past articles

  • ‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s ‘Memoirs of the Life of William Collins’ and ‘Blind Love’
  • Wilkie Collins’s Legacies: ‘The Moonstone’ in Boris Akunin’s ‘Murder on the Leviathan’ and ‘Children’s Book’
  • Opening up the Secret Theatre of Home: Wilkie Collins’s ‘The Woman in White’ on the Victorian Stage
  • Ugo Foscolo’s ‘Last Letters of Jacopo Ortis’ and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence
  • The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins
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