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Volume 16

Volume 16 Special Issue: ‘Victorian Popular Journalism and Fiction: Interactions’

With Guest Editors Janine Hatter and Helena Ifill

Please note, journal articles from the current issue are available only to members.

Articles

Introduction: Victorian Popular Journalism by Janine Hatter and Helena Ifill

“‘To get to the very bottom of the social fabric’: Mid-Victorian Journalism and the Police Officer, c. 1856-1877” by Samuel Saunders

“Murder for a Penny: Jack the Ripper and the Structural Impact of Sensational Reporting” by A. Luxx Mishou

“Professional Identity and Social Capital: the Personal Networks of Victorian Popular Journalists” by Carole O’Reilly

“Temple Bar’s New Portrait of Femininity: Active Domesticity in Mary Braddon’s Aurora Floyd” by Kaari Newman

“The Woman in White’s Vestry Episodes: Reworking Journalism as Novelistic Discourse” by Julia Podziewska

“Teaching Wilkie Collins and the Periodical Press” by Ellen Stockstill

Reviews

Jayda Coons reviewing Second Sight in the Nineteenth Century: Prophecy, Imagination and Nationhood (2017) by Elsa Richardson

Lin Young reviewing Spirit Matters: Occult Beliefs, Alt ernative Religions, and the Crisis of Faith in Victorian Britain (2018) by J. Jeffrey Franklin

Alyson Hunt reviewing Fashion and Narrative in Victorian Popular Literature: Double Threads (2017) by Madeleine Seys


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Past articles

  • ‘There is nothing either of Wilkie or Collins about it’: Naming and Signing in Wilkie Collins’s ‘Memoirs of the Life of William Collins’ and ‘Blind Love’
  • Wilkie Collins’s Legacies: ‘The Moonstone’ in Boris Akunin’s ‘Murder on the Leviathan’ and ‘Children’s Book’
  • Opening up the Secret Theatre of Home: Wilkie Collins’s ‘The Woman in White’ on the Victorian Stage
  • Ugo Foscolo’s ‘Last Letters of Jacopo Ortis’ and Wilkie Collins’s ‘The Woman in White’: A Case for Possible Influence
  • The Decomposing Past and the Challenges to Modernity: Corporeal and Architectural Decay in Wilkie Collins
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